We crashed after bringing our guest to the airport, and then lazed about the apartment, screenwatching. We headed out to Il Pozzo degli Etruschi for some lunch. We were sat down the back, which we’d never been before, and so saw that they had a covered Etruscan well!
I had pici with lamb sauce, and Niamh had a boar chop with baked rosemary potatoes, with a side of grilled veggies.
A small thunderstorm forced us back to the apartment, where I stayed for a little sleep. I got up around 17:00 and headed out to the town’s pinacoteca (art gallery). It’s €8 for an adult to visit and allows entrance to the art museum and the neighbouring alabaster museum, which I visited first. I think this museum is also covered by the Volterra Card, which you can buy for €16, which allowed entrance to many of the main attractions over a 3 day period.
As I said in one of my introductory posts, Volterra is the European centre for alabaster art, and has been for millenia, on and off. The Etruscans carved it, which you can see in their funerary urns. The museum here, has small mixture over a few floors of new and old pieces, spanning the near 3,000 years alabaster has been worked here.
At the top, is a reconstruction of a medieval alabaster workshop, along with a couple of nice views of the town below – including a little peek at the Roman ruins.
You can access the art gallery from the mezzanine below the top floor of the alabaster museum. This takes you to the floor which houses the museum’s masterpiece: Rosso Fiorentino’s Deposition from the Cross.
The red-haired, lamenting figure in the bottom right is often though to be the painter himself (‘Rosso’ being a nickname). It’s interesting, though, that there is evidence that Judas Iscariot also had red hair, so the figure acts as a handy double. It’s a pre-Renaissance piece, which is commonly believed to be one of the best early examples of Mannerism, which led to adoption of the style in Renaissance works.
Most of the artworks on display are pre-Renaissance, ranging from mid 1200’s to late 1400’s, and thematically are religious in nature – inevitably, really – they were the ones with the money to commission the pieces.
There are also a couple some classic Renaissance works.
And this fresco by Daniele da Volterra (Daniele Ricciarelle), which was painted for the Medici family in the mid 1500’s. The family crest is one of the main eye-catcher’s of the scene!
You can also make out the coat-of-arms of Volterra on the left-hand side – the shield-mounted dragon.
There is also another room with works by a collection of Volterran artists, with works ranging from Renaissance to mid-1700’s.
I think it’s a worthwhile visit, if you have a passing interest in historical art, whether you like the theme or not.
On the way home, I stopped off in La Sosta del Priore and grabbed a couple of sausage and onion sambos for us. We stayed in and screenwatched for the rest of the evening. Talk about settling in! I went to bed early, as I knew I wanted to get this blog written before we (hopefully) head to Florence in the morning. We have two routes open to us: a slightly quicker route, two-thirds of which is on dual-carriageway, or a route through some wonderful countryside. Hmmmmm…
Hopefully, we’ll park successfully, learn how to use the tram and tell you folks all about it tomorrow.